A window into the past for both the curious and the collector — find rare, unusual and historic paper items, priced from £2 to over £2000. A huge range of ephemera will be on display. The fairs will be on for one day only so make a note in your diary now, we look forward to seeing you there!
Holiday Inn London Bloomsbury
London WC1N 1HT
Entry £3 · 11am - 4pm · All welcome
Early admission for members from 10am with membership card
Interested in booking a table for the fair? Reserve your space - download the booking form
For more details call 01923 829079 or email
Join us! The Ephemera Society is always pleased to welcome new members. Payment can be made online by PayPal.
George Him: A Polish Designer for Mid-Century Britain
Until 10 May 2020
The first ever retrospective of Polish-Jewish émigré who brought European modernist aesthetics to British graphic design.
Spanning George Him’s long and versatile career as both an independent designer and as one half of the prolific Lewitt-Him partnership (1933-1954), the exhibition will include iconic wartime propaganda posters for the Ministries of Food and Information, corporate branding for El Al airlines and adverts for clients like Schweppes, Technicolor, the Post Office and The Times.
This beautiful and exciting show will include around 120 works including paintings, posters, brochures, drawings, photographs, fashion, furniture, ceramics, glass and textiles, drawn from both public and private collections across the UK.
Image: detail from poster by Septimus Edwin Scott, ‘New Brighton and Wallasey’, 1923–1947, London Midland and Scottish Railway company. Courtesy National Railway Museum, York
‘A Day at the Seaside’: vintage posters from a golden age of travel and tourism
Until 26 April 2020
This vibrant and colourful exhibition recalls an age when travelling by train for a holiday at the seaside was the height of sophistication. Dating from the 1910s to the 1970s, the posters in A Day at the Seaside were issued by the-then Scarborough Corporation’s tourism department, and by rail companies operating in the area.
Included in the display are
nostalgic images of penguins seeking shade under a parasol on Scarborough’s South Bay beach along with many other bright idyllic scenes from the sunny seaside resort. The posters in the exhibition are all taken from the 200-plus original posters held in the Scarborough Collections, cared for by Scarborough Museums Trust.
Tho' small the gift to thee I send, Acceptance let it meet For ever trifles from a Friend, To Friendship's eyes are sweet
Jane Walter May 1848
In The National Archives latest exhibition, love letters offer glimpses into private worlds – from a queen’s treasonous love letter, to the generous wish of a naval hero and the forlorn poetry of a prime minister. Expect secret stories of heartbreak, passion and disappointment as you explore 500 years of letters in this intimate exhibition.
This exhibition will bring the sights and sounds of Lautrec’s thrilling Bohemian Paris to life. The exhibition will revisit the ‘street art’ of the era showcasing over 80 works by Toulouse-Lautrec, Mucha, Steinlen and more.
Bright, bold, and found everywhere along the boulevards of fin-de-siècle Paris, the colour poster was a brilliant fusion of art and commerce.
It advertised cigarette papers and milk, immortalized stage stars and bohemian cabarets, and won the adoration of passersby and art collectors alike.
As pedestrians encountered these lively posters posted on the Parisian boulevards, the pulse of modern life seemed to beat faster, inciting them to acquire the prints– by buying and selling special editions or stealthily removing them from walls and kiosks.
Illusions: The Art of Magic transports you back in time to the Golden Age of Magic when death-defying tricks, daring escapes and colourful personas turned performers like The Incomparable Albini and Harry Houdini into world-famous celebrities.
Magicians of the late 19th and early 20th centuries were show business pioneers. They were among the first artists to embark on international tours and to promote themselves and their magical powers through illustrated advertisements ranging in scale from postcards to wall-sized posters.
The exhibition will feature more than 55 colourful and stylized posters from the Allan Slaight Collection of the McCord Museum, Montreal, alongside photographs, films, documents and ephemera.
Image: Adolph Friedländer, Comedians de Mephisto Co. Allied with Le Roy-Talma-Bosco, 1905. McCord Museum.
Currency in crisis: German emergency money 1914–1924
Until 29 March 2020
This exhibition reveals how this temporary currency responded to a national crisis with distinctive designs commenting on German society and politics. These range from the Turnip Notgeld lamenting the disastrous food shortage of 1917, to richly illustrated designs featuring regional landmarks and folk narratives, intended to buoy a population hungry for reassurance.
In its short lifespan, Notgeld's purpose and design changed dramatically. It was introduced as a substitute currency during a coin shortage in the First World War, with patriotic and sometimes subversive messages. Popular with German people, it became highly collectable and then, during the hyperinflation of 1923, regained its role as an alternative currency.
In the chaotic early years of the Weimar Republic (1919–1933), designs often depicted idealised views of German history and culture, as well as exciting travel advertisements, appealing to a people longing to shake off the bitter war years. Intrinsically bound to German identity and the upheaval that followed the First World War, Notgeld is a fascinating microcosm of public feeling in post-war Germany.
Image: Notgeld with value of 25 pfennig, issued in Brocken, Germany, 1922.
During the first half of the twentieth century Japan’s traditional art and aesthetics interacted with European life and culture, resulting in a pulsating era of Japanese modernism and the creation of Asian Art Deco architecture, paintings, prints, design and fashion.
From the early 1920s until the late 1930s Japan developed a lively consumer culture and felt the influence of new technologies from abroad. Its cities underwent major redevelopment and featured bustling streets filled with department stores, cafés, teahouses, movie theatres, ballroom dance halls and modern transportation that catered to a new generation of urban pleasure seekers.
The exhibition features major works by young female artists of the era, rare large-scale paintings by young Japanese artists and modernist colour prints produced with the refined techniques of traditional ukiyo-e. The exhibition also features fashion of the era, including women’s and men’s kimonos and related accessories.
Popular culture and interior design will be represented with beautifully crafted glassware, lacquer ware and bronze ware, as well as street posters, magazines and graphic design.
Use Hearing Protection: the early years of Factory Records
3 July 2020 – 10 January 2021
Celebrate Manchester's place at the heart of Britain's music and creative industries with our new exhibition dedicated to one of the city's most influential record labels.
This special exhibition tells the story of Factory Records' formative years from 1978 to 1982, and how their innovative work in music, technology and design gave Manchester an authentic voice and distinctive identity. Founded by Tony Wilson and Alan Erasmus, the label played an influential part in the city's transformation from an industrial powerhouse to a beacon of art and culture.
See the first 50 artefacts from the official Factory catalogue, including creations from Joy Division, New Order and The Durutti Column, as well as graphic designs by Peter Saville, previously unseen items from the Factory archives and objects loaned from the estates of both Tony Wilson and Rob Gretton, the former manager of Joy Division and New Order.
An exhibition celebrating the Bank of England’s 325th anniversary through 325 objects featuring some notable ephemera.
From Roman relics to a nuclear fall-out calculator from the Cold War, the exhibition features a variety of fascinating artefacts to celebrate the Bank's 325th anniversary, the objects explore how money and the way we pay for things has transformed since the Bank of England was established in 1694.